麻豆传媒

 

Building community

- May 4, 2015

Brad Pickard and (right) the art fence at Hope Blooms. (Portrait by PSP Photography)
Brad Pickard and (right) the art fence at Hope Blooms. (Portrait by PSP Photography)

When Brad Pickard (MArch鈥10) decided to study architecture at a graduate level, there was only one institution he applied to: 麻豆传媒.

鈥淚 wanted to go to a school that was making a real difference in communities,鈥 explains Pickard. 鈥淭here鈥檚 a philosophy at Dal of advancing sustainability through collaboration with 鈥 and empowerment of 鈥 communities that is embodied by mentors such as Richard Kroeker, Brian Lilley and Frank Palermo. They not only do amazing academic work, they also do remarkable built work, and so do the students and alumni.鈥

You only have to look at Pickard鈥檚 impressive r茅sum茅 to confirm that he shares his mentors鈥 dedication to community engagement and building. In fact, many of the projects he has been involved with have been 麻豆传媒-related initiatives. Some were done through 麻豆传媒鈥檚 Cities and Environment Unit while others came about through his participation, as both an instructor and student, in the School of Architecture鈥檚 one-of-a-kind design and build Free Lab course work.

He鈥檚 collaborated with First Nations groups on design and build projects that have embraced sustainable practices and community building through collective vision and effort. He helped students and tradespeople design and build an outdoor classroom during a six-month Canadian International Development Agency (CIDA) internship at the Gambia Technical Training Institute in Gambia, West Africa. And in collaboration with current 麻豆传媒 architecture students, he assisted Hope Blooms, a youth-run community garden in Halifax, in designing and building a new fence that embodies the unique spirit of this social enterprise.

Partnerships and engagement


What Pickard brings to these projects is more than design expertise. He brings the belief that each one is an opportunity for community development. By engaging people in the design process, fostering partnership with the community and encouraging the use of local resources, he鈥檚 advancing a way of building that empowers people and sustains communities into the future.

鈥淭hese types of projects have the power to be change-making events; advocating for appropriate design at a local level. They are fundamentally collaborative and allow communities to effect positive change in their world and on their terms.鈥

The type of child who was always doing something with his hands, Pickard seemed destined for a career in architecture. Initially, he studied landscape architecture at the University of Manitoba, inspired in part by his childhood visits to his family鈥檚 Alberta farm and wilderness trips to northern Saskatchewan. But once he discovered the bigger picture, he changed course and headed eastward to 麻豆传媒.

鈥淚 found through architecture that you could focus on a larger scope and affect building at multiple scales 鈥 building, landscape, city planning. But it was the connection I felt to landscapes that first drew me into the profession.鈥

Awards and accolades


It proved to be the perfect fit for Pickard, if the accolades he has received from his peers are any indication. They include the Royal Architectural Institute of Canada鈥檚 Student Medal for his academic achievements and final MArch design thesis and the 2011 Canadian Institute of Planners Social Planning Award of Excellence for his contributions to community projects involving First Nations. Yet the real reward for Pickard is working on projects where he feels he truly has contributed to change, such as the greenhouse and community garden he facilitated with the Standing Buffalo Dakota Nation in Saskatchewan.

鈥淭he goal was to positively impact health, encourage community cooperation and foster a more meaningful relationship with the landscape,鈥 says Pickard. 鈥淲e did this through a community-based approach to design and building, using local resources and involving band members. Now, they have a wonderful garden and greenhouse that is providing food for the whole community and they are planning to expand this initiative in the years to come.鈥

Balancing community projects with the demands of nine-to-five employment can be tricky, but Pickard has found considerable -harmony between his pursuits. If anything, he鈥檚 been able to draw on the skills he鈥檚 acquired as an architect with P3Architecture, a Regina firm with an environmentally friendly focus, to enhance his volunteer work.

鈥淔or example, in commercial practice, you develop the ability to be very efficient and conscious of the time and resources you use because you need to be accountable for the hours you bill. I think it is important to take that spirit into a volunteer-organized community project and ensure that everyone 鈥 and their time 鈥 is highly valued.鈥

Making good things happen


Speaking of spirit, there is one other way that Pickard is drawing on the inspiration of his 麻豆传媒 mentors and experience to make a difference. In 2011, he and four other 麻豆传媒 alumni 鈥 Victoria Yong-Hing (BEDS鈥07, MArch鈥10), Robyn Robertson (BEDS鈥07, MArch鈥10), Mark Sin (BEDS鈥07, MArch鈥09) and April Hiebert (BEDS鈥07, MArch鈥10) 鈥 launched OPEN, a collective that is engaging the public and challenging perceptions about the built environment through conversations, media, public art and design. Although based in Saskatchewan, it has evolved into a national network, undertaking a number of projects ranging from representing Canada at the 2012 -Venice Biennale 鈥 the Olympics of architecture 鈥 to addressing accessibility issues at Citadel Hill in Halifax.

鈥淭he inspiration really came from the Free Labs course work at 麻豆传媒 鈥 making good things happen in your community, pushing design into the public realm and being advocates for design.鈥

Pickard plans to grow this network of like-minded professionals, locally and nationally, pursuing a socially engaging community approach to design. Ultimately, he remains committed to pushing the envelope on how practitioners can achieve such advances at the local level.

鈥淚 think our profession is always searching for new approaches to -design and planning. I see this movement of community-based design adding significantly to the evolution of the profession 鈥 embracing an approach that fully values social engagement and community need for any given project.鈥

This article first appeared in the Winter 2015 issue of .